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13K followers · 230 following · 20 posts · @shooval * three roses. Roma'25. 2024. * leto. первый пост в этом году * Фантастика 11. Instagram·shooval SHOOVAL - ATLAST

"Мы открываем бизнес" (translated as "We are opening a business") is a spoken-word skit by the artist , serving as an intro or interlude that sets a narrative tone for his projects. Known for his work in the Russian music scene, SHOOVAL often incorporates these atmospheric segments to build a cohesive theme around ambition, lifestyle, and the grind of modern life. Key Context & Style 13K followers · 230 following · 20 posts

As the title suggests, the piece revolves around the concept of starting a venture, often used ironically or as a serious declaration of the artist's professional evolution. * leto

The "business" theme is a recurring thread in SHOOVAL's aesthetics, often paired with luxury imagery, "gangster" suit-and-tie visuals, and a focus on financial success found in his broader body of work and social media presence. SHOOVAL Albums and Discography - Genius Known for his work in the Russian music

The track functions as a "Skit," typically used in hip-hop and pop albums to bridge the gap between songs or establish a specific setting.

Popular Albums by SHOOVAL * ФАРГ (FARG) November 24, 2023. * ЖИТЬ (LIFE) November 25, 2022. * ГРАФ II (GRAPH II) May 28, 2021. шувал (@shooval) • Instagram photos and videos

SHOOVAL is recognized for albums like ФАРГ (FARG) (2023) and ГРАФ II (GRAPH II) (2021), where he blends melodic rap with dark, moody production. Thematic Elements

About The Author

Michele Majer

Michele Majer is Assistant Professor of European and American Clothing and Textiles at the Bard Graduate Center for Decorative Arts, Design History and Material Culture and a Research Associate at Cora Ginsburg LLC. She specializes in the 18th through 20th centuries, with a focus on exploring the material object and what it can tell us about society, culture, literature, art, economics and politics. She curated the exhibition and edited the accompanying publication, Staging Fashion, 1880-1920: Jane Hading, Lily Elsie, Billie Burke, which examined the phenomenon of actresses as internationally known fashion leaders at the turn-of-the-20th century and highlighted the printed ephemera (cabinet cards, postcards, theatre magazines, and trade cards) that were instrumental in the creation of a public persona and that contributed to and reflected the rise of celebrity culture.

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