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Image of “These Girls’ Fashion is Sick!”: An African City and the Geography of Sartorial Worldliness

Race, Culture, and Identity

“These Girls’ Fashion is Sick!”: An African City and the Geography of Sartorial Worldliness

Ogunyankin, Grace Adeniyi - Personal Name;
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  • “These Girls’ Fashion is Sick!”: An African City and the Geography of Sartorial Worldliness

As an urban feminist geographer with a research interest in African cities, I was initially pleased when the web series, An African City, debuted in 2014. The series was released on YouTube and also available online at www. anafricancity.tv. Within the first few weeks of its release, An African City had over one million views. Created by Nicole Amarteifio, a Ghanaian who grew up in London and the United States, An African City is offered as the African answer to Sex and the City, and as a counter-narrative to popular depictions of African women as poor, unfashionable, unsuccessful and uneducated. omniaoriental_sad_type_beat_instrumental_prod_b...


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Publication Information
: ., 2015
Number of Pages
-
ISBN
-
Language
English
ISSN
-
Subject(s)
Sex
African City
Ghanaian Women
City
Counter-narrative
Web Series
Description
-
Citation
-
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Type
Article
Part Of Series
Feminist Africa;21
DOI Identifier
-
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Omniaoriental_sad_type_beat_instrumental_prod_b...

The core of "Omnia" lies in its , likely utilizing Middle Eastern or South Asian string instruments—such as the Oud or Sitar—processed with heavy reverb and delay. These melodic lines are often minor-key and repetitive, designed to create a sense of longing or "saudade."

: By keeping the arrangement sparse, B-Sights allows space for a vocalist to express vulnerability, a hallmark of the emo-rap and melodic trap subgenres. Cultural Context

In summary, "Omnia" is more than just background music; it is a meticulously crafted mood piece. It leverages the haunting beauty of Eastern scales to provide a cinematic and emotional foundation for creative expression.

: Subdued pads and ambient noise that fill the background, making the track feel "cold" or "distant."

: Despite the sad melody, the beat often features sharp, crisp trap drums (hard-hitting 808s and rapid hi-hats) that provide a rhythmic backbone for artists to rap or sing over.

Producers like B-Sights tap into a globalized "internet aesthetic" where traditional cultural sounds are re-contextualized for digital audiences. The "Oriental" tag suggests a fusion that bridges the gap between ancient melodic structures and contemporary urban music. This specific track serves as a digital canvas for themes of heartbreak, isolation, and reflection, which are central to the "Sad Boy" movement in modern hip-hop.

Advanced Search

The core of "Omnia" lies in its , likely utilizing Middle Eastern or South Asian string instruments—such as the Oud or Sitar—processed with heavy reverb and delay. These melodic lines are often minor-key and repetitive, designed to create a sense of longing or "saudade."

: By keeping the arrangement sparse, B-Sights allows space for a vocalist to express vulnerability, a hallmark of the emo-rap and melodic trap subgenres. Cultural Context

In summary, "Omnia" is more than just background music; it is a meticulously crafted mood piece. It leverages the haunting beauty of Eastern scales to provide a cinematic and emotional foundation for creative expression.

: Subdued pads and ambient noise that fill the background, making the track feel "cold" or "distant."

: Despite the sad melody, the beat often features sharp, crisp trap drums (hard-hitting 808s and rapid hi-hats) that provide a rhythmic backbone for artists to rap or sing over.

Producers like B-Sights tap into a globalized "internet aesthetic" where traditional cultural sounds are re-contextualized for digital audiences. The "Oriental" tag suggests a fusion that bridges the gap between ancient melodic structures and contemporary urban music. This specific track serves as a digital canvas for themes of heartbreak, isolation, and reflection, which are central to the "Sad Boy" movement in modern hip-hop.