: The "la-er-la" ending section incorporates a Beijing Opera-inspired singing style, which was an improvised addition by Chou in the studio. Music Video Storyline
: The song prominently features traditional instruments like the guzheng , pipa , and yangqin . It is also noted for Chou's vocal range, reaching a peak in his high-pitched singing style.
: A warrior is torn between two women: his original lover (in red) and a new love (in white). In a fit of jealousy, the woman in red poisons the woman in white, who dies in the warrior's arms.
: Uniquely for Chou, the lyrics were written by his long-time collaborator Vincent Fang before the music was composed. Although Chou initially didn't plan for a Chinese-style track on this album, he was so moved by Fang's lyrics that he composed the music in just two hours.
: The song won the Best Buzz ASIA - Taiwan award at the 2005 MTV Video Music Awards Japan.
: The "la-er-la" ending section incorporates a Beijing Opera-inspired singing style, which was an improvised addition by Chou in the studio. Music Video Storyline
: The song prominently features traditional instruments like the guzheng , pipa , and yangqin . It is also noted for Chou's vocal range, reaching a peak in his high-pitched singing style. : The "la-er-la" ending section incorporates a Beijing
: A warrior is torn between two women: his original lover (in red) and a new love (in white). In a fit of jealousy, the woman in red poisons the woman in white, who dies in the warrior's arms. : A warrior is torn between two women:
: Uniquely for Chou, the lyrics were written by his long-time collaborator Vincent Fang before the music was composed. Although Chou initially didn't plan for a Chinese-style track on this album, he was so moved by Fang's lyrics that he composed the music in just two hours. Although Chou initially didn't plan for a Chinese-style
: The song won the Best Buzz ASIA - Taiwan award at the 2005 MTV Video Music Awards Japan.