Directed by Jean-Luc Godard , this segment explores the impossibility of communication and love in a world dictated by ideology and political conflict, featuring two lovers on a rooftop.
It stands as a rare time-capsule where the "Big Three" of Italian cinema (Pasolini, Bertolucci, Bellocchio) worked alongside the leader of the French New Wave (Godard). Amore e rabbia (1969)
Each segment questions whether a single person can maintain their humanity or "love" while the "anger" of the collective world rages around them. Directed by Jean-Luc Godard , this segment explores
The film is divided into five distinct parts, each utilizing a unique visual language: The film is divided into five distinct parts,
The film was entered into the 19th Berlin International Film Festival.
Directed by Bernardo Bertolucci , this surrealist piece depicts the dying moments of an old man surrounded by figures who represent different facets of his life and society, blending dreamlike imagery with existential dread.
Amore e rabbia (1969), translated as Love and Anger, is a landmark anthology film that captures the turbulent political and artistic spirit of the late 1960s. It features five segments directed by some of the most influential figures in European cinema, originally conceived as a commentary on the "Gospel" but evolved into a critique of contemporary morality, violence, and revolution. The Directors and Segments